Agent and manager to stars including Courtney Love; split his time between New York and LA
This is Jonathan Hare's account, with its provenance shown. The person or organization named has not yet claimed or corrected it.
An agent and manager representing, in the contemporaneous contact entry's words, 'various stars, including Courtney Love.' A friend of Pam Alexander, who introduced him to Jonathan Hare at Heidi Klum's Halloween party in October 2000. Through Weinberg, Hare met Loree Rodkin; through Rodkin, Ghislaine Maxwell. He is the first link in a chain whose last link the record treats with care.
The entry records him splitting his time between New York and LA. Beyond the party and the chain, the record holds little on him, and says so.
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Pam Alexander introduced Hare to Weinberg at the party; Weinberg introduced him to Loree Rodkin; Rodkin, hearing about the Santa Fe Institute, introduced him to Ghislaine Maxwell. The chain is reconstructed from two contemporaneous contact entries and Hare's dictation, and each step is only as strong as the entry that records it.
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Friend and patron — who let a broke man live her life for a weekend at a time
Open →introduced Hare toManager turned jewelry designer — Brad Pitt and the early Robert Downey Jr, then custom pieces for celebrities. The Maxwell introduction was hers.
Open →met atOctober 2000 — photographed, published, and consistent with the account
Open →Everything above is a distillation. The primary source is published in full, so that any claim on this page can be walked back to what was actually said — and where the two differ, the source governs.
The account this page was distilled from, preserved as dictated.
Read the source →Primary source · S-055The account this page was distilled from, preserved as dictated.
Read the source →Primary source · S-102The account this page was distilled from, preserved as dictated.
Read the source →This entry is deliberately incomplete. The gaps below are the things only certain people can settle — and settling one is a contribution like any other: recorded, timestamped and attributed to whoever made it.
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